found among the leaves;
at the Los Angeles Arboretum Library Arcadia, CA. February 22 - May 28, 2019
>> the companion essay: Planetary Garden as Fantasy Island: an Arboretum of the Anthropocene
Compost Book no.1, 2019
Found Among the Leaves; a Bibliophytology delves into the rich and complex relationships between object & information, image & medium that are embodied within books and libraries as vehicles of knowledge. The exhibition takes four forms, described and documented below.
The history of phytology (aka "botany") is the history of books twofold. For not only have books been the enduring medium for botanical study across the centuries, but plants are also the material basis of the pages and paper upon which botanical knowledge has long been inscribed. Any book about plants is itself of book of plants in the most physical and literal sense.
The most abiding metaphor for knowledge and its organization in the Western tradition is the tree, and specifically the Tree of Knowledge. How befitting an arboretum and its library. The arborescent branches are figurative of the branches of knowledge – all connected, growing, and spreading root to tip. Meanwhile, in the same tradition, nature has often been conceived of a a book to be read – the Book of Nature – a text written by a divine creator, and studied its followers
The exhibition is composed of:
1 > A series of new collages whose images were gleaned from the leaves
of books and journals de-accessioned from the LA Arboretum
2 > Sculptural objects – books, plants, books about plants, trees made of
books, pages on their way to compost. Along with these are
specimens drawn from the Arboretum's herbarium and associated
collections, in collaboration with the Curator of Living Collections,
3 > A set of leafy book/stack marks throughout the Library that
highlight books as part of a "Found Among the Leaves Reading
Tour" of texts that unpack the remarkable biology of plants and the
complicated & enmeshed relationships that our species has with
them. Perhaps these leaves will give the sense of walking through
the woods as you walk through the stacks - stories within the
Halfway through the run of the exhibition, a group of young artists
from Sarah Gilbert's Sculptural Books and Distributed Art at Pitzer
College will add their own set of leaves based on list of books they
select. Their leaf-shaped stackmarks will be made from leaves and
plant material foraged from the Arboretum grounds itself, creating
an aesthetic ecological loop in the process – leaves to leaves.
4 > A companion essay, Planetary Garden as Fantasy Island: an
experimental site of the Anthropocene, the new geological epoch
within which humans have become a predominant biogeochemical
force on the planet. The Arboretum's journal, Lasca Leaves,
functions as a primary source for exploring that entangled history.
In an era where the intimacy of printed books is giving way to digital formats, drawing the historical and material connections between books and their physical bases has never been more relevant or interesting (even if plants turns out to be its underlying basis of the digital revolution as well...)
Special thanks to Susan Eubanks, Jim Henrich, Richard Schulhof, and the LA Arboretum for their generosity and support of this project, as well as to Shirley Watts for her invitation and support of an artist residency that brought me to the Arboretum in the first place. Much gratitude to Maddie Coven for her artistic assistance with the installation and keen eye, to Marie Csete, John Doyle, Sara Schnadt, and Sarah Gilbert for their hospitality and camaraderie during my stays in LA in preparation for this project, and finally the School of the Art Institute of Chicago's Department of Liberal Arts for the research and travel support.
COLLAGE + PHOTOGRAPHY
The images for this series of collages were gleaned from the leaves of books & journals de-accessioned from the LA Arboretum Library's collection They reflect themes, hopes, and histories unique to the Arboretum and its role in helping transform the Southern Californian landscape. They also draw inspiration from the Library's late modern interior design and1950s palette.