andrew s. yang

. 

.

neo-natural history

puts one’s hands into it,

the whole matrix of the phenomenal,

narrating the possibility that

certain relations

express

all others.

Making objects,

installations, & texts

is a means to meaning,  

a path through the thicket of

 the connections between the

theories, things, & creatures

that teem throughout

the ecology of

experience.

They are:

ready seeds,

passing asteroids,

and embryos in

 first fold.

If

Nature

is a hypothesis,

then we are a makeshift

contraption to experiment with

both its logic and limit;

a universe-sized

model of

meta

culture,

past

& 

future

.